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ORCHESTR

Industries · Concert & festival organisers

Gates open at 16:00.Settlement startsthe next morning.

We build festival and concert systems that hold the whole show in one place — artist deals, ticket sales, suppliers, crew, accreditation, sponsors and the settlement — so the team works from one plan and the numbers are clear the morning after.

Build your festival system
Dunefield Festival · Line-up
Sample
Acts confirmed
18 of 22
Artist fees committed
AED 4.6M
Deposits due
3
Line-up
2-day festival
  • AR-1104Headliner A · SaturdayRider open
    Fixed fee + backend · flights booked · rider 3 items openTravel & rider
  • AR-1107Headliner B · FridayReady
    Advanced · arrives Thu · set 22:30Advanced
  • AR-1112Regional act C · SaturdayDeposit due
    Deposit due 20 Jan · hotel heldDeposit
  • Artist offers & contracts
  • Ticket sales data
  • Suppliers & site build
  • Crew & accreditation
  • Sponsor deliverables
  • Show settlement
  • Event P&L

01Where shows lose money

One night on stage. Six months of moving parts.

A concert or festival is a small company that exists for a few months. Most organisers build its operating system from scratch each time — in spreadsheets, inboxes and chat groups.

01

Artist deals are scattered across agents' emails

What happens

Offers, counter-offers, fixed fees, backend splits, deposit dates, riders, flights and hotels for each act sit in separate email threads with different agents.

What it costs

A deposit paid late jeopardises a booking, a hospitality rider is missed, or the settlement is calculated on the wrong deal terms.

With one system

One record per artist booking with the agreed deal, payment schedule, rider, travel, set time and open items — so everyone works from the same terms.

02

Ticket sales live in the ticketing platform, costs live in Excel

What happens

The team checks the ticketing dashboard for sales and a separate budget spreadsheet for costs, and the two are compared by hand when someone asks.

What it costs

Marketing spend decisions, extra tiers or production upgrades are made without knowing the real break-even position.

With one system

Ticket sales imported from your ticketing platform sit next to committed costs, so break-even, forecast result and sales pace are always visible.

03

Site build and suppliers are coordinated in group chats

What happens

Staging, sound, lighting, fencing, toilets, power, F&B vendors and security each get their own WhatsApp group and a version of the site plan.

What it costs

Deliveries clash at the gate, a generator arrives a day late, and the production manager is the only person who knows the real schedule.

With one system

A build schedule by area and supplier, with POs, documents, delivery slots and sign-offs tracked against the site plan.

04

Crew and accreditation are managed from a spreadsheet

What happens

Hundreds of crew, volunteers, vendors' staff and media are invited, approved and issued wristbands from a shared sheet.

What it costs

Wrong access levels, missing wristbands at the gate on build day and no reliable record of who was on site.

With one system

Accreditation requests, approvals, zones and credential collection in one system, with crew schedules and call times attached.

05

Sponsor deliverables are tracked from memory

What happens

Each sponsor contract promises signage, activations, social posts, tickets and hospitality — but delivery is tracked in a deck or not at all.

What it costs

A sponsor finds their logo missing from the stage screen, or the recap report takes weeks to assemble.

With one system

Each sponsor has a deliverables checklist with owners, proof of delivery and a recap report built from what was actually done.

06

Settlement takes weeks after the show

What happens

After the event, finance gathers ticketing reports, bar revenue, supplier invoices and artist deals to work out the result and artist backend.

What it costs

Artist settlements delayed, supplier disputes and no clear lesson for the next edition until long after it's needed.

With one system

Revenue, costs and deal terms are already linked, so show settlement and the event P&L are drafted the next morning for finance to review.

02Festival platform preview

What your festival system could look like.

Switch between the views the promoter, production manager, artist liaison, finance and partnerships team would use every week. Every screen is designed around your shows in discovery.

Dunefield Festival · Line-up
Sample
Acts confirmed
18 of 22
Dunefield Festival
Artist fees committed
AED 4.6M
Incl. travel & hospitality
Line-up
2-day festival
  • AR-1104Headliner A · SaturdayRider open
    Fixed fee + backend · flights booked · rider 3 items openTravel & rider
  • AR-1107Headliner B · FridayReady
    Advanced · arrives Thu · set 22:30Advanced
  • AR-1112Regional act C · SaturdayDeposit due
    Deposit due 20 Jan · hotel heldDeposit
  • AR-1118DJ D · second stageContract
    Contract with agent · artist visa step pendingContract
  • AR-1121Support act E · FridayAgreed
    Fee agreed · awaiting contract draftAgreed
What's still open on Headliner A?
Three rider items are unconfirmed — the backline amp model, a dressing-room humidifier and the hospitality headcount — and the second deposit is due on 5 February. Flights and hotel are confirmed. I've drafted a note to the agent asking for the rider confirmations for the artist liaison to send.
AR-1104 · contractRider v2Payment schedule

Illustrative interface with sample data — your system is designed around your shows, venues and team.

Illustrative demo · sample data

Can you picture your next edition on it?

Build your festival system

03Solutions

The parts of a festival system — chosen for your shows.

  • Every deal on one record

    Artist offers, contracts & advancing

    Offers, agreed terms, contracts, deposits, riders, travel, hotels, set times and advancing notes for every act — with open items flagged as the show approaches.

    • Offer and deal terms
    • Payment schedules and deposits
    • Rider and hospitality checklists
    • Travel, hotel and ground transport

Not every festival needs every module. We scope the ones your operation actually uses, and add the rest when you need them.

04AI inside the system

AI that keeps a show's moving parts in view.

AI in your festival system works on your own deals, sales, suppliers, crew and sponsor records. It reads, reconciles and drafts — the promoter, production and finance teams decide.

AI prepares; people approve. Offers, contracts, payments, settlements, accreditation and messages to agents, suppliers or sponsors are always confirmed by your team. Crowd management, site safety and permit decisions stay with your safety lead and the responsible contractors — AI never makes them.

  1. 01

    Contract and rider reading

    Artist liaison confirms
    A 40-page artist contract and rider arrive from an agent.

    Extracts the fee, payment dates, backend terms, set length, hospitality and technical requirements into the booking, and lists clauses that differ from your standard terms.

  2. 02

    Break-even and pace analysis

    Are we on track to break even?

    Compares ticket sales by tier and day against plan and committed costs, shows the gap and which tiers are behind, with the figures behind each point.

  3. 03

    Open-items radar

    What could go wrong in build week?

    Lists missing supplier documents, unconfirmed deliveries, unapproved accreditation and open rider items, ordered by date and owner.

  4. 04

    Settlement drafting

    Finance approves
    Draft Headliner A's settlement.

    Calculates the backend from the deal terms, ticket revenue and agreed costs, attaches the workings and flags any cost line that needs confirmation before it goes to the agent.

  5. 05

    Sponsor recap drafting

    Partnerships reviews
    Prepare the recap for Crescent Motors.

    Builds a recap from delivered items and uploaded proof — signage, activations, posts and hospitality — and flags anything promised but not yet evidenced.

05A day with ORCHESTR

Build week, Tuesday, two ways.

  1. 06:00Deliveries by slotSecurity works from the day's delivery slots; each supplier arrives at its booked time and gate.
  2. 09:00Meeting from the build scheduleThe meeting runs from the build schedule and open-items list, with owners and deadlines already assigned.
  3. 11:30Document gap flagged on MondayThe missing certificate was flagged on Monday, chased and uploaded before the inspection.
  4. 14:00Accreditation by organisationVendor staff are approved by organisation in advance; collection takes a scan and a signature.
  5. 17:30Advancing checklist completeThe booking shows the rider confirmed, flights and transfers set, and the set time locked.
  6. 21:00Forecast result updatedToday's sales and new costs have updated the forecast result and break-even automatically.

An illustrative day — every system is designed around how your team actually works.

06Integrations

Connects to the platforms your shows already run on.

Integrations depend on what each provider exposes — we confirm every connection in scoping before committing to it. Names are examples of categories we work with, not partnerships.

Ticketing
Existing ticketing platforms (via API or export)Eventbrite (via API)QR scanning apps
Cashless & POS
Cashless payment systems (where available)Vendor POS exports
Messaging
WhatsApp Business APIEmailSlack or Microsoft TeamsSMS gateways
Accounting & payments
Zoho BooksQuickBooksXeroBank transfer exports
Files & plans
Google DriveDropboxSite plans and CAD files as attachments
Data
Spreadsheets and exportsBI toolsMarketing platform exports

07How we build your system

Built around your festival — not a template.

  1. 01

    Understand your business

    We learn how the business actually runs — people, tools, hand-offs and where time is lost — before proposing anything.
  2. 02

    Map your workflows

    Every workflow is mapped end to end: who does what, when, with which information, and what should happen automatically.
  3. 03

    Design your system

    Screens, records, permissions and integrations are designed around those workflows, and the scope is agreed in writing.
  4. 04

    Build and integrate

    We build in stages and connect the tools you keep, so your team sees working software early and gives feedback as we go.
  5. 05

    Test and launch

    We test with real scenarios, migrate the agreed data, set up roles and access, and onboard the team.
  6. 06

    Support and improve

    After launch we support the system under an agreed arrangement and extend it as the business changes.

08Why it matters

What changes for a concert or festival organiser.

We don't quote savings we haven't measured. In discovery we baseline how your team works today, so improvements can be tracked against your own numbers.

  • One version of every deal

    Artist terms, payments and riders live on the booking, not in agents' email threads.
  • Decisions made against break-even

    Sales and committed costs side by side, so marketing and production spend is deliberate.
  • A build week that follows a plan

    Suppliers, deliveries and documents tracked by area and slot, with gaps visible early.
  • Accreditation without the queue

    Requests, approvals and zones handled in advance, collection logged on the day.
  • Sponsors who see what they paid for

    Deliverables tracked with proof, and recaps built from the record.
  • Settlement in days, not weeks

    Revenue, costs and deal terms already linked when the show ends.
  • Each edition teaches the next

    Results by stream, tier and cost line compared across editions.

09Possible use cases

How different organisers could use it.

Examples of what we could build — not completed client projects.

Multi-day festival organiser

A festival as a seasonal company

Line-up, ticketing data, site build, vendors, accreditation and sponsors for a two- or three-day outdoor festival with tens of thousands of attendees.

ArtistsBuildAccreditation
Concert promoter

A calendar of arena and theatre shows

Several concerts a season, each with its own deal, venue, ticketing and settlement, and a promoter view across every show.

DealsTicketsSettlement
University & youth events brand

Recurring parties and campus festivals

Event submissions, approvals, registrations or tickets, promoters and attendance for a brand running frequent events for students and young audiences.

ApprovalsRegistrationReporting
Cultural & community festival

Programmes, partners and volunteers

Multi-venue programmes with performers, partners, grant or sponsor reporting and a large volunteer team.

ProgrammeVolunteersSponsors

Running today

For Unifest, a university-level events operation, ORCHESTR built an event platform where each event moves through submission, approval, participant registration and execution, with attendance and reporting built in.

Unifest logo01 / 01
EducationWePlan group

Unifest

University Event Platform

Approvals, registrations and attendance in one place.

  • Event submissions
  • Approval flow
  • Participant registration
  • Attendance
Unifest · Event approvalrecreated · illustrative
SubmittedStudent society
ReviewedActivities office
ApprovedAdministration
4
Registration open312 registered
Event-day attendanceopens on the day

FAQs

Festival and concert questions, answered.

Hospitality & events

01Does this replace our ticketing platform?

No. Your ticketing platform keeps selling tickets. We import sales by tier, day and channel through its API or exports and put them next to your costs, deals and settlement — where the ticketing dashboard can't.

02Can it handle complex artist deals?

Yes. Fixed fees, backend percentages, versus deals, bonuses, payment schedules and agreed show costs are recorded per booking, so settlement uses the terms that were actually signed.

03How does accreditation work for thousands of people?

Suppliers, vendors, media and volunteer coordinators submit requests for their own people. Your team approves them in batches, assigns zones and shifts, and collection is logged with a scan on site.

04What about permits and artist visas?

Each permit, visa or approval is tracked as a step with an owner, due date and documents. The system helps prepare the information, but submissions to authorities are made by your team or your appointed agents.

05Can sponsors and suppliers log in?

If you want them to. Sponsors can see their deliverables and proof; suppliers can upload documents and book delivery slots. Each external user sees only their own records.

06We run one big festival a year. Is this worth it?

It depends on how much is rebuilt each year. Most of the value comes from keeping deals, suppliers, crew, sponsors and results from one edition to the next. We'll be honest in discovery about whether it makes sense for your scale.

07Can we bring in last year's data?

Usually. Supplier lists, crew databases, sponsor contracts and last edition's budget and results can be imported from spreadsheets and exports, so the first edition on the system starts with history.

08Where does AI help?

Reading contracts and riders, tracking break-even, surfacing open items in build week, drafting settlements and sponsor recaps. Every payment, message and approval is confirmed by a person, and safety decisions are never delegated to it.

09How is a festival system priced?

We quote after a discovery session, based on the modules, the number of shows or editions, integrations and the volume of crew and suppliers involved. Hosting and support are agreed in writing before the build.

Start here

Let's mapyour next edition.

Tell us how your shows come together today. We'll come back with how one system could connect artists, tickets, suppliers, crew, sponsors and settlement.

  1. 01We get back to you to arrange a call.
  2. 02A focused conversation about how your festival runs today.
  3. 03If there's a fit, a written scope and quote — no obligation.
Industry · Concert & Festival OrganisersFree consultation · no obligation
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